There is a British television series called Midsomer Murders that I enjoy. It is a standard police procedural set in a series of villages that at first glance would appear to be bastions of peacefulness in the English countryside but instead seem to have a homicide rate that would rival any major metropolis. Think Crystal Cove and Murder She Wrote, only British. Pagan Spring, and its two predecessors Wicked Autumn and A Fatal Winter, are more or less book versions of Midsomer Murders or Murder She Wrote, which is probably why I like them. There is nothing too complicated, just a comforting cozy mystery with a few quirky characters, a pretty little town and a mystery that needs to be solved. I like darker stories too, but sometimes the time is right for a gentle cozy. This series is perfect for those times.
Thursday, June 11, 2015
Pagan Spring by G.M. Malliet
There is a British television series called Midsomer Murders that I enjoy. It is a standard police procedural set in a series of villages that at first glance would appear to be bastions of peacefulness in the English countryside but instead seem to have a homicide rate that would rival any major metropolis. Think Crystal Cove and Murder She Wrote, only British. Pagan Spring, and its two predecessors Wicked Autumn and A Fatal Winter, are more or less book versions of Midsomer Murders or Murder She Wrote, which is probably why I like them. There is nothing too complicated, just a comforting cozy mystery with a few quirky characters, a pretty little town and a mystery that needs to be solved. I like darker stories too, but sometimes the time is right for a gentle cozy. This series is perfect for those times.
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